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Selvedge #117

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Selvedge #117

3 in stock

Selvedge #117

Author

Publisher Selvedge

$38.00

For Mira Gupta, as she writes in her article “Lessons in Chemistry,” “There’s something thrilling about resist dyeing. You control the dye but not the result. It’s like controlled chaos, a surprise party in every vat.” Such a boldly colourful assertion prompted me to question what it is it about resist dyeing that makes it irresistible.

When Portuguese explorer Vasco da Gama brought vibrant hand-painted palampores back from India in 1498, Europeans, used to humble wool, linen, and hemp, were mesmerised. This was the beginning
of a violent trade that climaxed 100 years later with the establishment of various “East India Companies” and the peaking of the “calico craze,” in the late 17th century. So, is it the spectrum available via
a mordant-and-resist sequence that makes resist dyeing irresistible?

Remember, indigo is a pigment dye, impossible to apply to the surface of cloth using a brush or a block. So, to achieve a blue and white design, it is necessary to create a mechanical or chemical resist and submerge the cloth in a dye bath. In her article “True Blue,” Liz Hoggard uncovers contemporary brands mastering the techniques to produce slow fashion favourites. Is it an abundance of the world’s favourite colour combinations that makes resist dye irresistible?

Human beings are hard-wired to find patterns everywhere. Patterns created through resist dyeing are found all over the world, and from intricate multi-coloured ikat in Uzbekistan and the 16-stage process used to create Ajrak in Gujarat. Is it the place it holds in much of humanity’s intangible cultural heritage that makes resist dyeing irresistible?

3 in stock

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